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艺术家对于美是不择手段的。很多艺术家只对美负责，其以美为哲学。如此一来，美之外的事物便被搪塞甚至忽略了。这并非伟大的艺术，而是愉悦的艺术。愉悦之外，是一种造型与氛围的启迪，这便是绘画的音乐性。米开朗琪罗追求绘画的音乐性，但现代艺术史上对此最有妙谛的则是抽象派。而吉姆的摄影，因着一种曲折隐晦的背景叙事，也获得了其演奏着的音乐性。
吉姆欲探求的是男体美的可能，他所做的是男体实验，男体用镊子夹起，放入不同的文化溶液中，看取反应。这不能不说是一种拼贴与模仿的讨巧，但却有景观。哲学如不知艺术的手段，倒可欣赏艺术的结果。艺术从不以素颜示人。“我欲表达的是我的幻梦与情感”，他说，“情色不是色情，而且不必像色情那样。”这是近诗的艺术，你只需观看，之后等待体内冒泡变色起浊就好。而缪斯又都是淫乱的，谁说不呢。
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“重要的不是表现者，而是表现对象”，这一古希腊艺术箴言于此复活。男体本身就极美，但模特又多属浅薄之辈，他们构成美却对美一无所知。于是艺术家成为美的妆点师，借艺术之手法予其以气质、人格与美之氛围，但最终成就的不是模特，而是艺术家。那么这样一场美的换算中，艺术才是最终的收购者，但艺术又什么都不要，这说来真是一场精彩的虚无。
Jim Ferringer，摄影艺术家。普杜大学取得本硕学位，作为一名工作室艺术家，吉姆长达四十年致力于雕塑和平面艺术，并在电脑和相机中发现了人物塑造的新旅程。
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苏释/GS主编，目前致力于不为所知的男体景观。
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青春就应该这样绽放 游戏测试：三国时期谁是你最好的兄弟！！ 你不得不信的星座秘密Image may be NSFW.Clik here to view.
